God Is Not 3 Guys

I AM    February 27, 2016 The 1 st reading on the third Sunday in Lent is Exodus 3:1-8a, 13-15. It contains the best definition/description/summary of God in the Judeo/Christian tradition—I AM. God also says in this passage, “I am the God of Abraham, Isaac, and Jacob.” But the name of God for these patriarchs was  El Shaddai , the Breasted God (Exodus 6:3). Unfortunately, Bible translations commonly render El Shaddai  as "God Almighty," following early influential translations. But "God Almighty" subverts the original meaning, as shown by David Biale in a February 1982 article for the journaal, History of Religions. The ordinary Hebrew word shad means “breast.” In ancient Akkad (north of Babylonia) shadu meant both “breast” and “mountain,” a link easily understood. The Egyptian word, shdi , meant “to suckle.” The ending –ai , an Ugaritic feminine ending, occurs in the name of Abraham’s wife—Sarai. Biale adds that the term’s context in biblical tex

I confess that when I heard the news of Antonin Scalia’s death I said “Thank God!” fervently, sincerely, earnestly. I have nothing against the man.  He was a good man who did what he thought was right, and now he is happily in the spiritual realm. It’s his family and friends who deserve our sympathy.  That’s always the case when someone dies. I don’t feel sorry for the deceased—they are happier on the other side than in this time/space realm on earth. I believe that to be the case no matter what kind of life they led. I understand Scalia was a colorful, jolly, opera-loving, friendly man, but he led others to wreak terrific havoc on our political system. With his passing we have a chance of overturning the most destructive decisions coming out of the court in the past 30 years. We can’t undo one disatrous decision of his—putting George W. Bush in the presidency in spite of the popular vote going to Al Gore. Scalia’s claim that he based decisions on originalism—following  the

I admit it. I’m madly in love with Downton Abbey. Not much gets in the way of watching when it’s on television, twice a week, every Sunday and repeated on Wednesday evening. I plan my evening activities around it. If someone calls, I cut the conversation short. The costumes, period details, and love stories don’t capture me as much as the quality of the writing and the overriding theme—class pecking order is fading. Already in the first episode in the first season this theme came through to me. A friend didn’t like the show. She criticized it as all about nobles who think they deserve their privileges. I said, “That’s the point.” I expected their privileges to be challenged. I don’t know how Julian Fellowes managed to convey so effectively at the beginning that things would change. Maybe it’s character development; the acting rises to the level of the writing. I savor every facial expression, every line. Fortunately I can read their dialogues in captions. I asked a friend more